The British writer's 76th action thriller features a familiar cast of anti-terrorism veterans: the legendary former IRA gunman Sean Dillon (in his 21st appearance); his boss, General Charles Ferguson, who heads a secret intelligence unit reporting to 10 Downing Street; Captain Sara Gideon, a decorated Afghan war veteran; Major Giles Roper, a wheelchair-bound technology wizard; and Billy Salter, a gangster-turned-MI5 agent, along with his gun-handy uncle Harry, who runs a dockside pub.
While those are good reasons to read the book, a weak story and an even weaker plot are compelling reasons to give it a miss. Unless, like me, you're a die-hard Jack Higgins fan who will read anything by the man who gave us such gripping novels as The Last Place God Made (1971), A Prayer for the Dying (1973) and The Eagle Has landed (1975).
Rain on the Dead begins with a failed assassination attempt on the charismatic former US President Jake Cazalet at his estate on Nantucket, an island off Cape Cod, Massachusetts. Unfortunately for the two Al Qaeda-backed Chechen gunmen, Ferguson and his team happen to be visiting Cazalet at the time and foil the plot masterminded by a faceless figure known only as the Master. Not very original and not very scary either.
From there, the action shifts to Drumgoole in Ireland, Paris and finally London, as Ferguson's team thwarts repeated attempts to kill Cazalet. Frustrated by these failures, the Master, who reports to some kind of grand council, hires more desperate men, including rogue special ops soldiers, to eliminate Dillon, Gideon and the others. They fail too.
Two more things kept me from enjoying the novel.
The writing, peppered with dialogue, often felt amateurish. Preposterous as it may sound, I even wondered whether the book had been ghostwritten. The narrative lacked depth, the conversations were at times school-grade, and there were even a few typos. This was not the Jack Higgins I grew up reading.
Then there is Sean Dillon himself. His role during the Troubles in Northern Ireland continues to haunt him, as it does many of Higgins' former IRA protagonists. Though still respected by his allies and feared by his enemies, Dillon is clearly past his prime. Maybe it was intentional. Here, he plays a largely supporting role, rarely doing more than turning up with his Colt .25. Instead, the brave Captain Sara Gideon and the young, reckless Billy Salter take centre stage as they hunt down the shadowy Master before he can get anywhere near Jake Cazalet, who first appeared in The President's Daughter (1997).
So, will I stop reading Jack Higgins? Never. I still have many of his novels waiting on my shelves, and I'm certain most of them will remind me why he remains one of my favourite thriller writers.




























