Book Tag: A Q&A about my reading life

On June 17, my blog friend Tracy did a Book Tag post on her popular blog Bitter Tea and Mystery, answering a series of trivia questions about books and reading. She, in turn, had been inspired by similar book tags on other blogs. I found her version particularly enjoyable, not least because of the sheer variety of books she has read—and continues to read and review—across several genres.

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No reader ever reaches the end of the journey. I still have countless authors to discover, shelves of books waiting to be read, and many years, I hope, before I can look back with any sense of satisfaction. So I'm going to answer these questions honestly. Is there any other way? To adapt a famous line from Kurt Vonnegut's 1961 novel Mother Night—“We are what we read, so we must be careful about what we pretend to read and the books we pretend to talk about.”

Let’s see how it goes.

What book has been on your shelf the longest?

My paternal grandfather's 1965 Tudor edition of Shakespeare: Complete Works (The English Library). I'm saving it for retirement, though I suspect the Bard will have plenty of company by then. Every other year I tell myself I'll finally settle down and read Shakespeare properly. Instead, I end up dusting the cover, the spine and the yellowing pages before placing it carefully back in the cabinet.

What is your current read, last read, and the book you plan to read next?

Current Read: The Midden by British satirical novelist Tom Sharpe (one of my favourite writers) and Shall We Tell the President?, an alternative fiction by Jeffrey Archer, one of several bestselling authors I read in college. I enjoy Sharpe's irreverent wit and outrageous humour. Archer, on the other hand, is an old hand at storytelling. Remember Kane and Abel?

Last Read: Past Tense, where prolific writer-blogger Margot Kinger introduced me to her affable sleuth Joel Williams, a former policeman turned academician.

Next Read: To be honest, I have no idea. My next book is usually a random choice, though I'm tempted to pick up a P.G. Wodehouse or an Agatha Christie from my wife’s collection. It's been a while since I last read either. Wodehouse still has me in splits, even if his humour occasionally follows familiar patterns.

What book do you tell yourself you’ll read, but probably won't?

I'm going to answer this one a little differently.

I struggled through the first 30-odd pages of William Faulkner’s The Sound and the Fury and nearly gave up. I had little idea what was happening. It remains one of the most challenging books I have attempted in recent years. At times it almost felt as though Faulkner himself was saying, "My narrative style isn't for you. Read something else." I wasn't amused.

What book are you saving for retirement?

Well, as I said, Shakespeare will probably have distinguished company: Dostoyevsky, Tolstoy, Gogol, Solzhenitsyn, The Rise and Fall of the Third Reich by William L. Shirer, Thus Spoke Zarathustra by Friedrich Nietzsche (which I never finished), and a few other classics. Of course, much will depend on my eyesight and state of mind.

Which book character would you switch places with?
 
James Green, better known as Sudden, the Texas outlaw. I've admired the character ever since my paternal uncle introduced me to the eponymous western series when I was 14.

Created by British writer Oliver Strange, Sudden is my favourite Western hero. He earns both his nickname and his notoriety because of his lightning-fast draw, and is branded an outlaw for crimes he never committed. In reality, Green is a gentleman with a gun, defending ordinary folk against crooked gamblers, ranchers, rustlers and land-grabbers, even as he quietly hunts down the two men who killed the man who raised him. Sudden also has a badge—and a secret identity: Deputy Marshal of the United States, reporting directly to the Governor of Arizona.

While Strange, who never once travelled to America, wrote ten Sudden novels, fellow English writer Frederick H. Christian (better known as Frederick Nolan) added another five after Strange's death. You can hardly tell the difference. This remains the only series, in any genre, that I have read more than once.

What book reminds you of a specific place, time or person?

I'm usually so engrossed in a book that I rarely relate its plot, setting or characters to real places or people. It simply doesn't occur to me.

Which book has been with you most places?

Quite a few spiritual books, but mostly Love Never Faileth by the late Indian spiritual teacher and author Eknath Easwaran, who founded the nonprofit Blue Mountain Center of Meditation in California in 1961. This, and most of Easwaran's forty books, offers a practical guide to leading a more fulfilling life through his simple eight-point programme of passage meditation. You can open almost any page and think, "Hey, this is exactly what I needed."

Which book have you reread the most?

The books I have reread most often are philosophical and spiritual, particularly those by Easwaran and other mystics, including my own spiritual preceptor. They have been my comfort zone—my mental prop—for more than three decades.

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What book outside your comfort zone did you end up loving?

Not one, but two: The Mayor of Casterbridge and Jude the Obscure by Thomas Hardy. I read these powerful classics more than a decade ago on my wife's recommendation. Until then, I had never read an unabridged classic, apart from the abridged versions we encountered in school.

What are your three bookish confessions?
 
1. I collect books. I still own several unread books that I bought in the 1980s and 1990s. Having said that, I have been exercising some restraint. So far this year, I have bought just three books.

2. I will happily miss a bus, train or autorickshaw if I spot secondhand books for sale, even if I end up buying nothing and reaching home late.

3. I never lend books I treasure, such as my Corgi editions of the Sudden novels and my comic-books.

Do you prefer used or brand new books?
 
There is a certain charm about secondhand books, which make up most of my modest collection. This includes over two dozen secondhand—but mint-condition—paperbacks of Don Pendleton’s Mack Bolan: The Executioner. As for new books, I now buy more Kindle editions than paperbacks.

Have you ever seen a movie you liked more than the book?

Perhaps not more than the books themselves, but I thoroughly enjoyed the film adaptations of Jack Higgins' The Eagle Has Landed and A Prayer for the Dying, and Alistair MacLean's The Guns of Navarone, Where Eagles Dare and Ice Station Zebra. I also liked the screen versions of Harper Lee’s To Kill A Mockingbird, John Ball’s In the Heat of the Night, and, of course, the Harry Potter films.

Last page: read it first, or wait till the end? 

I've never read the last page first—not even to finish a book sooner—although I was tempted while reading Irving Wallace’s The Second Lady. If you’ve read the book, you’ll know why.

Name a book that you acquired in an interesting way.

DC Comics: Sixty Years of the World's Favorite Comic Book Heroes (Bulfinch, October 1995).

Many years ago, I found this collector's edition at a new bookstore for Rs 450 ($9). I wanted it badly. But wisdom prevailed, and I walked away, convincing myself the money could be put to better use—perhaps on groceries and things like that.

A few days later, while on my way to the office in another part of town, I spotted the very same book at a roadside bookseller. It was in mint condition and priced at just Rs 125 ($2.5). I bought it without a second thought.

Final two questions, my own.

Which authors you wish you had read by now?

Most Indian authors. There is such richness and variety in Indian writing in English that I often wonder why I have neglected it for so long. In hindsight, the focus of my blog should probably have been more desi than Western. I hope to make up for that by reading—and reviewing—more Indian fiction in the years ahead.

If you didn’t read books, what would you be doing?

Probably painting or learning to play a musical instrument. I think it's important to have non-work pursuits among the arts and crafts. Much of everything else is so ordinary.

Bottom line: If these answers reveal anything, I hope it's not how many books I have—or haven't—read, but the kind of reader I am. There are still countless books waiting for me, and that's part of the pleasure. Reading isn't a race. The important thing is simply to keep reading, even if it's one book at a time.

Other notable Book Tag posts
 
Nancy Elin 

Brona's Books

On Bookes

Howling Frog Books

The novels of Jack Higgins: A master storyteller

Jack Higgins (Henry Patterson) is my favourite author. To me, the bestselling British writer ranks among the finest storytellers of his era. Like his compatriot Jeffrey Archer, Higgins made storytelling look effortless, whether he was writing wartime adventures, espionage thrillers or action novels.

Although I have not read all of his 85-odd novels, I have read many of them and look forward to reading the rest. My introduction to Higgins came in the early 1980s with his masterpiece, The Eagle Has Landed. It was followed by Hell Is Too Crowded, The Last Place God Made and A Prayer for the Dying—novels I still remember vividly.

Many of Higgins' protagonists are flawed—former IRA operatives, soldiers, mercenaries or reluctant heroes—who often live by their own moral code. They may not always be your conventional heroes, but they are easy to root for. The kind you want on your side because you know they're good men, almost saint-like, and all very likeable. 

Below are only a few of my favourite Jack Higgins novels. Ask me again tomorrow, however, and I might well replace some of them with Night of the Fox, Toll for the Brave, A Fine Night for Dying or The Keys of Hell. That's the problem—and the pleasure—of choosing favourites from an author whose books I've enjoyed for more than four decades.

Have you read Jack Higgins? If so, which of his novels would make your list?

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In Hell Is Too Crowded, American engineer Matt Brady follows a beautiful, frightened woman home to London after a night out—and wakes up to find her murdered and himself framed for the crime. Imprisoned and desperate, he must break free to clear his name. This is one of Higgins' early thrillers, first published under his real name Henry Patterson. 

Set in 1938 Brazil, The Last Place God Made is the story of down-on-his-luck British pilot Neil Mallory, who teams up with Sam Hannah, a once-legendary WWI fighter pilot now scraping a living running supplies over the Amazon. When a mission station is massacred and two nuns go missing, the two men fly into the deadly heart of the jungle to find them.

Set against the Troubles in Northern Ireland, The Savage Day introduces British agent Simon Vaughan who is sent undercover into a tense, gun-running plot involving IRA factions and a hidden fortune in stolen gold. Betrayal, sectarian violence and shifting allegiances drive this suspense thriller. 

The third in the Nick Miller series, Hell Is Always Today is a police procedural that follows Detective Sergeant Miller hunting "the Rainlover," a serial killer stalking London women on wet nights, while a separate case—an escaped boxer-turned-cat-burglar seeking revenge—runs alongside it.

In A Prayer for the Dying, IRA hitman Martin Fallon, sickened by a botched job that killed a child, flees to London hoping to escape his past—only to be blackmailed by a corrupt undertaker who witnessed his crime. Torn between a priest offering redemption and gangsters demanding one last kill, Fallon is trapped in a moral dilemma.

It Might Have Been, a poem by Ella Wheeler Wilcox

There are some poems you read once and forget, and then there are those that stay with you for years. It Might Have Been by the American poet Ella Wheeler Wilcox belongs to the latter category for me. Though written over a century ago, its message about personal responsibility, determination and the choices we make remains as relevant today as ever.

The poem is both inspirational and spiritual—two things I have always appreciated in the books and poetry I read, not merely for enjoyment but as a way of life.

We will be what we could be. Do not say,
"It might have been, had not this, or that, or this."
No fate can keep us from the chosen way;
He only might who is.

We will do what we could do. Do not dream
Chance leaves a hero, all uncrowned to grieve.
I hold, all men are greatly what they seem;
He does, who could achieve.

We will climb where we could climb. Tell me not
Of adverse storms that kept thee from the height.
What eagle ever missed the peak he sought?
He always climbs who might.

I do not like the phrase "It might have been!"
It lacks force, and life's best truths perverts:
For I believe we have, and reach, and win,
Whatever our deserts.

© Encyclopedia Britannica

"No fate can keep us from the chosen way." To me, that single line captures the essence of Ella Wheeler Wilcox's poem.

Many of us spend our lives dreaming about the things we want to do and the goals we hope to achieve. Yet when we don't pursue those dreams—or abandon them along the way—it is tempting to blame circumstances, bad luck or fate. We dwell on what might have been instead of asking what still could be.

The poem suggests a different way of looking at life: that our choices matter more than our excuses. While circumstances undoubtedly shape our lives, they need not define them. History is full of people who have overcome immense hardship to accomplish remarkable things. Their stories remind us that determination can often carry us further than we imagine.

Perhaps the most important lesson of It Might Have Been is not to live in regret. The only way to replace "It might have been" with "I made it" is to stop dwelling on missed opportunities and begin taking the first step toward the life we want. As the familiar saying goes, "Impossible" becomes "I'm possible" when we choose to believe it.

Book review: Past Tense by Margot Kinberg

Kramer walked slowly in the direction Stephens had indicated. Then he stopped short. His face drained of colour and he gulped twice. He could see it clearly — a bone sticking up out of the dirt he’d been preparing to move.

It’s not often that the principal character in a work of fiction takes a back seat and allows the secondary players to lead from the front. In Past Tense, Joel Williams, the affable and self-effacing policeman-turned-academician, does just that—and still walks away with honours. But then, he's the hero of the novel..

The professor in the Department of Criminal Justice at Tilton, a fictional university in Pennsylvania, hasn’t lost his detective streak. When construction workers on campus dig up bones identified as those of Bryan Roades, a 20-year-old student who disappeared four decades ago, Williams quietly begins looking into the cold case..

As Tilton police detectives Donna Crandall and her partner Ron Zuniga take up the investigation with steadfast resolve. Williams conducts his own inquiries into the suspected murder, working alongside the detectives and passing on useful leads as they try to answer two questions: who killed Roades, and why?

The investigation takes them back 40 years, to the people Roades knew and the secrets they have carried ever since. Inspired by journalists Woodward and Bernstein of Watergate fame, Roades had been relentlessly pursuing a story about the women's liberation movement for The Real Story, the Tilton University newspaper. He was trying to interview professors and fellow students, including women who were reluctant to talk because they feared having their personal lives and secrets exposed. His zeal may have cost him his life.  

The discovery of his remains opens a Pandora’s box, as those who knew Roades find themselves in the crosshairs of the investigation. As Williams and the police detectives inch closer to the truth, one of Roades's former acquaintances is found dead. Suddenly, there are two murders—one from the past and another in the present.

Past Tense, the third in Margot Kinberg’s Joel Williams series, is a fine blend of police procedural and campus mystery.

Though Joel Williams greets us from page one, he gets into the thick of the mystery much later. Until then, he follows the case in the Tilton Sentinel over a cup of coffee. I found his character particularly interesting. I don’t think I have read many mysteries where a detective or private investigator keeps such a low profile and helps solve the case from the sidelines, almost like a spectator.

Yet Williams's interest in the Bryan Roades case is genuine. It has less to do with winning accolades or attracting attention than with his previous life as a cop and his enduring passion for solving mysteries.

The narrative moves back and forth in time, gradually revealing Roades's character and his relationships with people we meet in the present. There are few descriptions and plenty of dialogue, the way I like most fiction. The pace is easy, almost leisurely, but Kinberg keeps the story moving throughout the 421-page novel.

If you're familiar with the author's prolific crime-fiction website and blog, Crime Writer Margot Kinberg, you'll recognise the author's familiarity with the genre and her interest in the mechanics of crime and detection.

Past Tense is engaging and entertaining, with an unusual campus setting and an intriguing cold-case mystery at its heart. Kinberg brings her academic background to bear on the story without allowing it to overwhelm the mystery. I enjoyed the slow-burn investigation and the unusual role played by Joel Williams.

P.S. Special thanks to Margot for sending me a signed copy of the book.

TV Series: Daredevil

I liked Daredevil, the Marvel TV series about the much-underrated superhero. It is dark, gritty, violent, flawed and oddly unsettling, perhaps because I never quite knew what was going to happen next. I was on tenterhooks through the first season. Besides, I've always been partial to Daredevil, just as I am to Batman, the Hulk and Wolverine.

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Going back, I liked the 2003 Daredevil film because it lived up to my comic-book image of The Man Without Fear. Ben Affleck was convincing as Matt Murdock—the blind lawyer by day and vigilante by night. For many years, I hoped there would be a sequel. There wasn't. The TV series more than makes up for the gap.

British actor Charlie Cox steps convincingly into Affleck's shoes and raises hell in Hell's Kitchen, the dark side of Manhattan. But this Daredevil is not infallible. He makes mistakes and gets walloped a few times, including by his arch-enemy Wilson Fisk, the Kingpin, who clobbers him much as Bane does Batman in The Dark Knight Rises. Like Batman, the caped crusader of Gotham City, Daredevil falls only to rise stronger, wiser and more determined.

A little wisdom is what Daredevil picks up after his often impulsive and bloody fights with local thugs, junkies, kidnappers and extortionists. With every episode, he learns more about the masterminds behind his battles—the Russian mafia, the Japanese Yakuza and Chinese gangsters, and eventually Fisk himself—who want to carve up Hell's Kitchen between them. Slowly, he also learns how to stay one step ahead of his ruthless enemies.

A television series provides more room for longer stories, and Daredevil gives us much more than the heroics of its vigilante. It also offers glimpses into the backstories of familiar characters—Matt Murdock, his friend and law partner Foggy Nelson, their first client-turned-secretary Karen Page, crime reporter Ben Urich and Wilson Fisk—which adds depth, twists and suspense to the story.

Daredevil is stark and realistic, with a degree of brutality not common in superhero films. Murdock and Fisk, while representing good and evil, share troubled childhoods and lives haunted by demons of the past. This prompts Hell's Kitchen's supervillain to suggest that the two men aren't so different from each other. Yet each has his own reasons for wanting to make the neighbourhood a better place.

As Daredevil, Cox is every bit as good as Affleck, while, as Kingpin, Vincent D'Onofrio is several heads above Michael Clarke Duncan in the film version. What works particularly well is his depiction of the bald Kingpin as a businessman who is both vicious and vulnerable. He reeks of evil and yet doesn't necessarily seem like one, if that makes any sense.

Finally, what I found particularly appealing about Daredevil is the music—the opening theme and the background score that plays during critical moments, heightening the thrill and tension. It complements a series that, for me, deserved more recognition.

Daredevil remains one of the darker and more compelling superhero adaptations I've watched. It isn't simply about a man in a costume beating up bad guys; beneath the violence is a story about justice, loyalty, morality, and two damaged men who see the world very differently.

Blaze! Red Rock Rampage by Ben Boulden, 2017

Review & Interview

“I have no predilection about dropping you where you stand,” J.D. said. “Put the man down, gently as you would your breakfast egg, then raise your hands as high as God allows.”

© Rough Edges Press

I picked up Red Rock Rampage—No.15 in the Blaze! Adult Western Series—for three reasons. One, it's written by writer-blogger Ben Boulden whose reviews I read with much interest. Two, it's a western and packed with action, romance, and adventure. And three, it recounts the daring exploits of a husband-and-wife team of gunfighters I’d never heard of.

Red Rock Rampage is a fine debut by Ben. I read the book in three sittings, which I seldom do now. And I look forward to read more in the series, both by him and other writers.

A few pages into the book and I found myself riding at a distance behind bounty hunters J.D. and his beautiful wife Kate on their journey to Small Basin. Utah. The couple is on the trail of a gang of robbers who have been holding up trains in Arizona. They have been hired by a railway company whose northern route has been the target of the marauders.

If J.D. and Kate thought it would be a simple case of track and nab, they were mistaken. Small Basin turns out to be as hostile as an inhospitable desert under a ruthless sun. The settlement and the surrounding area are ruled by a renegade Mormon patriarch called Levi Skousen and his hired gunmen, and crooked Sheriff Allred who wants them to keep riding. The town is inhabited by a bunch of unfriendly polygamists and dirt farmers.

But our bounty hunters have no plans to vamoose now that they have tracked down their prey. And that’s when their troubles begin.

Skousen has kidnapped two young girls with the intention of adding them to his harem of twenty wives. One of the girls belongs to a poor Mexican settlement, the other has a thing for the outlaw’s estranged son. Suddenly, J.D. and Kate are forced to alter their plan and rescue the damsels with help from a priest who can shoot.

Red Rock Rampage, published by Rough Edges Press, is 115 pages of twists and turns, surprises and ambushes, and humour and excitement all the way. It’s a realistic portrayal of the Old West’s only husband-and-wife gunfighters whose derring-do and skill with guns does not hide their vulnerability. They find themselves in a tight corner more than once. When J.D. is caught and beaten up badly, Kate knows what she must do. The woman’s got guts. At one point I found myself thinking, “Come on, you should’ve seen it coming.” That they don’t adds to the reality of the plot, the descriptions, and the well-drawn characters.

I liked the book a lot, as much for Ben Boulden’s narrative style and relentless pace as for J.D. and Kate’s passion for each other and for adventure. They share a telepathic bond from the beginning. It lent a nice touch to this unusual western tale.

Recommended.

'I genuinely enjoy telling myself stories'

Photo by Kara Boulden

Ben Boulden, a trained accountant by profession, writes a column and regularly reviews mystery, crime, and thrillers for Mystery Scene Magazine. His essays, ‘Reading Ed Gorman’ and ‘Easy to Read: A Story of Rick Ollerman’ have been published in the Stark House Press editions of The Autumn Dead/The Night Remembers by Ed Gorman and Truth Always Kills by Rick Ollerman, respectively. He also regularly reviews books and interviews authors at his blog Gravetapping. Ben lives in Salt Lake City, Utah, with his wife and daughter.

He spoke to the 3Cs about his debut novel in an email interview, which is split into three parts: the book, the characters and setting, and the author.

THE BOOK

Ben, why did you choose to make your writing debut with the Blaze! Adult Western Series? Why not a standalone western?
A really good question. A year ago I was interviewing Stephen Mertz, creator of Blaze!, for my blog Gravetapping and when everything was complete—questions asked and answered, formatted and posted—Steve asked if I would like to try writing a Blaze! novel. No guarantee of publication, but I unhesitatingly said, “Yes” and everything worked out. Pure blind luck aided by the kindness of Steve Mertz.

What made you pick the title Red Rock Rampage? How did you hit upon the idea?
The title was the last thing I came up with. The story was mostly complete, still lovingly titled “Untitled Blaze”, when Red Rock Rampage sprang into my head. It fit the setting, the painted rock badlands of Southern Utah, and the genre; rampaging desperados, outlaws. I especially liked the smooth alliteration.

The idea for the story arrived in a hurry. I knew I wanted it in Utah, where I’ve lived most of my life, and I narrowed it down to Southern Utah because of the beautiful, desolate setting. It was, and probably still is, wilder than Northern Utah; fewer people and less law. And, of course, it was and still is a hotbed of plural marriage. So

I took what I knew about the setting—it is called Utah’s Dixie because someone in Salt Lake City decided its arid landscape was perfect for growing cotton. It wasn’t. There was either too little water, or too much water (in the form of flash floods) and as far as I know there was never a successful crop. So I created a villain who, not satisfied with his failure as a cotton grower, found other means to gain wealth. The rest of the story bloomed from there.

You are more than familiar with western fiction. And yet, did you have to do any research for your book?
I  did some research for RRR. Mostly about the early Mormon pioneers sent from Salt Lake City to the Southwestern corner of current day Utah to grow cotton. My wife and I lived in a small college town in the area several years ago while I studied for my master’s degree and that, mixed with many trips to Canyonlands National Park (in Southeastern Utah) as a child with my parents, gave me a grasp to imagine the setting.

Were you influenced by other western fiction authors while writing Red Rock Rampage?
I don’t think it shows, but my major influence was Ed Gorman’s work. The way he develops characters, especially women, in his Western novels amazes me. Gentle, intelligent, long suffering, horny, angry, and everything else that makes a person a person.

I also followed two pieces of advice that came to me second hand, both heavily paraphrased. Ed Gorman wrote, on more than one occasion, that he owed his career to Max Allan Collins who told him to write a novel like every chapter was a short story to keep from becoming overwhelmed. And Stephen Mertz told me that Don Pendleton always said you should write, no matter what you’re writing, like it is a serious and important work.

In spite of consistent action, the narrative has an even and unhurried pace. Did you plan it that way or did it flow as you wrote?
I wanted the narrative to have a nice fluid pace, but to say I planned it from scene-to-scene (beyond hoping it worked) wouldn’t be accurate. Although I worked heavily to keep it tight and unhurried throughout the writing and then rewriting processes. I’m glad it worked. And I’m glad you told me since I still have doubts about it late at night.

Is there any part of the story or character that you wish you’d written differently?
Maybe  one. A gunny named Jackson Rockwell, who was originally intended to be the fictional brother of the Mormon gunfighter Orrin Porter Rockwell, who, as the story developed took a smaller role than I originally planned. I think the story would have benefited from developing JR’s character more as I had originally intended. Instead he became more of a stock villain with a mean streak and a desire to make his name by gunning down J.D.

CHARACTERS & SETTING
 
Both J.D. and Kate are very likeable and, in a certain way, vulnerable too. What were your thoughts as you wrote about the husband-wife gunfighters?
J.D. and Kate were the best part of writing Red Rock Rampage. I fell in a kind of literary puppy-love with Kate. Tough, smart, kind, beautiful. And I genuinely liked J.D. Although, based on the beatings I put J.D. through there may have been some jealousy at work (I hope I’m kidding). I liked the give and take between the two, and my favorite scenes are where both are present.

I couldn’t help noticing that Kate and J.D. seem to have the perfect marriage, which I felt was a great selling point. Of course, I’m basing my opinion on just this one Blaze! novel. Is that how they are in the rest of the series?
It is, I think. I’ve only read a couple of the other books in the series. I’m actually reading Stephen Mertz’s The Christmas Journey right now. But J.D. and Kate have something of a dream relationship. They have their moments, mostly when J.D. is, or isn’t, doing something Kate feels strongly about. Steve really deserves some kudos for creating this pair.

Kate is brave and determined, and more than capable of taking care of herself. I, for one, thought she stole the show. Would that be a fair assessment?
Very  fair assessment. Kate’s character really spoke to me. As I was writing the story her role, both as the ethical guide and tough as nails get things done kind of person, developed beyond what I had originally intended. In a sense, RRR is more her novel than J.D.’s.

How did you come to create Brother Skousen as the evil and lustful Mormon patriarch who terrorises young women?
He was the first villain I created for the story. In a sense, and I don’t mean this to be demeaning or derogatory to early-Mormon history, he is a composite character of the stereotypical Mormon leader. Joseph Smith, Brigham Young, etc. who practiced polygamy for a stated reason—to take care of the older women without a man (Sister Mary in the story)—but actually seemed to have an abundance of attractive 17 year old wives who, I’m sure, had a line of young male suitors. But, Skousen is a true scoundrel and many of the early Mormon leaders did some amazing things, like create the infrastructure for the American West to be settled and develop the way it did.

How easy or difficult was it to capture the descriptions of the settlement of Small Basin, Utah, and the surrounding area?
It was really fun and fairly easy. It all came out of my imagination based on my experiences in the Southern Utah landscape. The canyons with painted rock, red dirt, the Fremont Indian ruins, many still awaiting discovery, all captured my imagination as a boy and it still does today. I hope I was able to describe the wonder of the place, even a little.

THE AUTHOR
 
Ben, can you briefly take us through your journey as a writer and an author?
I've been writing fiction since my early teens and over the past six or seven years I gave up the idea of seriously pursuing publication. I had a few very small successes placing short stories in tiny literary magazines (circulation less than ten, probably) in the early-2000s, but my writing plateaued. Each story had the same flaws as the one before. Not developed quite right, out of sync narrative, underdeveloped characters, etc.

So I started reviewing novels and short stories, first for a website, then my own blog and finally for Mystery Scene Magazine, to see if critically reading the work of successful writers would help my own writing. And it did, but not exactly the way I expected. I learned a bunch about structure, and even more about style, but the knowledge was still a little hazy. Then I started writing individual scenes, not for publication, but rather for my own amusement, about anything that caught my fancy. A mother mourning a child, a firefight, cowboys finding a flashlight. This more than anything improved my fiction writing, but I was still an unbeliever.

Then, an amazing thing happened, which I talked about in a question above, Stephen Mertz—creator of Blaze!—asked if I would be interested in writing a Blaze! novel. And I did. And Rough Edges Press published it. My writing life, I hesitate to call it a career, has been one filled with mostly work and a few lucky breaks. The first was Ed Gorman’s unflagging support of my critical writing and his help getting me a chance to write for Mystery Scene and then Steve Mertz’s simple question. I owe them both more than I can say.

How would you describe the experience of writing, and especially writing a book?
Hard, but satisfying. I genuinely enjoy telling myself stories, but the daily grind of working all day, then coming home and writing is difficult. The self-doubt is hard, too. Never knowing if something is good, or even readable, as I write and rewrite. But as satisfying as anything I’ve ever done when I type “the end” after the last paragraph. And then as I started revisions, actually enjoying the story.

Where, when, and how often do you write?
I have a weekly goal of 2,500 to 3,000 words. I often don’t make it, but I try. I have a tiny office in the house, cold in the winter and hot in the summer, where I do part of my writing. I also write at the kitchen table, which is where I am now. I travel some for work, and I write in hotel rooms at night when I’m away.

I may write for fifteen minutes or two or three hours, depending on my schedule. On weekends I write in the morning, and during the week I write in the evening. It all depends, but it would be nice if I could find a rhythm with a defined schedule. 5–7 AM, or something. I think it would increase my productivity, but I haven’t been able to make it happen yet.

How long did it take you to write Red Rock Rampage? Can you take us through the process from the time you conceived of the story idea?
I started planning the story—doing a little research—and basically stalling the actual writing in mid-April, 2016 and I turned the final draft into the editor the first week of August. So, from that first idea to the finished product was about 3-1/2 months. The first few chapters went like wildfire and there were a few spots in the story where I found myself lost in those murky middle portions. I knew where I wanted to go, but my map disappeared. When that happened I stopped writing for a few days, once for nearly a week, and thought about the story, what made sense, what J.D. and Kate would be inclined to do. And I always figured a way forward. And it always felt natural to me. Something that much of my earlier writing didn’t have.

What can your readers expect after your brilliant debut—more in the Blaze! series or something else, perhaps?
I’m working, rather slowly, on another Blaze! novel now. It’s been slow for a few reasons. My work schedule has been unusual the last few months and I have been able to gain a rhythm on the story. But I like the story, and I’m hoping to have it finished in a few months. I just finished a hardboiled crime short story that I like a bunch. I’m not sure what is going to happen with it, but it felt great writing “the end” a few nights ago.

Once I finish my next Blaze! novel I may try something of my own. I have a few ideas percolating, mostly western and crime. We’ll see. But I’m excited that things are looking bright (in a very small way) for me.

Who are some of your favourite genre authors? Which books have influenced your writing?
I’ve already mentioned Ed Gorman. He is probably one of the most underrated writers of his generation. His works tends to be dark, which may be a reason it hasn’t caught on like I think it should, but he is well worth reading. Especially is mystery and western fiction.

Ron Faust is another favorite. No one writes better, more meaningful, or even beautiful prose than Faust did. He didn’t write enough, only 15 novels over four decades, but if you ever find anything with his name on its cover, buy it, steal it, or do whatever you have to do to get it home.

What were your thoughts when you first held Red Rock Rampage in your hand?
Woohoo! Then disbelief. Then woohoo! Then, man, I hope a few people like it.

Finally, Ben, what is your advice to people like me who aspire to publish someday?
Keep at it. I had given up, writing snippets of fiction here and there for my own amusement, but an amazing thing happened. I wrote a book, it was published. And I’m nothing special. Maybe lucky, but not special. So keep writing and something will come.

Thank you, Ben.

The Face on the Milk Carton: A secondhand book find

The Face on the Milk Carton—such an unusual title. I had no hesitation in picking up the paperback from a neat row of secondhand books at Smoker's Corner, the half-a-century-old bookstall in the Fort area of South Mumbai that has since closed down. I like a surprise catch. I rarely misjudge one.

Until then, I hadn't heard of American author Caroline B. Cooney, who wrote this award-winning 1990 novel, the first in her Janie Johnson series. The book was later adapted into a television film.

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As you can probably tell from the title and cover, The Face on the Milk Carton is about the mystery of a missing child. Janie Johnson is a teenager who one day sees the face of a little girl on a milk carton and is stunned to recognise herself in the photograph. The child had disappeared from a shopping mall in New Jersey twelve years earlier.

I plan to read the book soon, even though it is written for young adults and I don't particularly like stories about missing children. But I'm curious. How does a girl come to recognise herself as a missing child? And what happens when she begins to suspect that the parents she has always known may not be her real parents?

The author has said that the idea for the novel came to her after she saw a poster of a missing three-year-old child at LaGuardia Airport. The girl had been missing for 15 years. Cooney wondered who might recognise a photograph of a child after so many years and realised that, perhaps, the person most likely to recognise the child could be the child herself. That simple but unsettling thought became the basis for The Face on the Milk Carton.

Cooney has been writing since 1979 and has published numerous novels for young adults across suspense, mystery, horror and romance. The Face on the Milk Carton, the first in her Janie Johnson series, was followed by several other books featuring the character. Her other works include The Vampire's Promise trilogy, the Losing Christina series and the Time Travelers Quartet. Her books have also won several awards and appeared on numerous book lists.

It's an intriguing premise, and I hadn't set out to look for a Caroline B. Cooney novel that day. It was simply one of those secondhand-book discoveries that make browsing worthwhile. Now I just have to read it and find out whether my surprise catch was as good as I thought it was.

Have you read Caroline B. Cooney's novels?