A brief overview of an as-yet unseen film adaptation of a Thomas Hardy classic for Tuesday's Overlooked Films, Audio & Video at Todd Mason’s blog Sweet Freedom.
I read and studied abstracts of novels by Charles Dickens (Pickwick Papers, David Copperfield, and A Tale of Two Cities) and Thomas Hardy (The Mayor of Casterbridge) in school. The Victorian authors introduced me to their celebrated genre, the classics. In later years, I was more inclined to read Dickens because he was easier to read than Hardy, whose dystopian tales weren’t exactly my cup of tea. Then, a few years ago, I reread The Mayor of Casterbridge and rediscovered Hardy and understood the novel much better than when I read it in my youth. I both like and dislike the powerful and pathetic character of Michael Henchard, who, in a drunken fit, sells his wife and little girl to a passing sailor. It remains my favourite novel by Thomas Hardy.
I mention this particular novel because the story, which is set in the fictional town of Casterbridge, Wessex, is imprinted in my memory. Not many novels stay with me. I was, therefore, surprised when I read that The Claim (2000), a loose adaptation of The Mayor of Casterbridge, is set in distant California and not in Wessex, the setting for many of Hardy’s novels. I have not seen the movie yet.
Not only does director Michael Winterbottom take Thomas Hardy’s story out of Wessex, he also substitutes the original storyline and characters.
In the film Michael Henchard doesn’t get drunk and auction his wife and daughter. Instead, Daniel Dillon (Peter Mullan) is an Irish immigrant who sells his wife Elena Burn (Nastassja Kinski) and month-old baby Hope Burn (Sarah Polley) to a prospector for the rights to a goldmine in the Sierra Nevada mountains of California.
For the next twenty years or so, Dillon amasses a great deal of wealth and owns nearly every business in the old west town of Kingdom Come. Then, one day, Elena and Hope accompany Donald Dalglish (Wes Bentley) to the town and give Dillon the shock of his life. His dark secret is about to be exposed. Dalglish is a surveyor with the Central Pacific Railroad which wants to build a railroad through Kingdom Come.
On the face of it, The Claim sounds very interesting because it is set just after the California Gold Rush of 1849 and it has all the elements of one of my favourite genres, western, such as romance, gold mining, railroad, and the symbolic frontier town of Kingdom Come that will decide the fate of Michael Henchard’s alter ego in the film.
I plan to see the film and compare it with Hardy’s classic, though, I think, both deserve their own place. Have you seen The Claim?
I mention this particular novel because the story, which is set in the fictional town of Casterbridge, Wessex, is imprinted in my memory. Not many novels stay with me. I was, therefore, surprised when I read that The Claim (2000), a loose adaptation of The Mayor of Casterbridge, is set in distant California and not in Wessex, the setting for many of Hardy’s novels. I have not seen the movie yet.
Not only does director Michael Winterbottom take Thomas Hardy’s story out of Wessex, he also substitutes the original storyline and characters.
In the film Michael Henchard doesn’t get drunk and auction his wife and daughter. Instead, Daniel Dillon (Peter Mullan) is an Irish immigrant who sells his wife Elena Burn (Nastassja Kinski) and month-old baby Hope Burn (Sarah Polley) to a prospector for the rights to a goldmine in the Sierra Nevada mountains of California.
For the next twenty years or so, Dillon amasses a great deal of wealth and owns nearly every business in the old west town of Kingdom Come. Then, one day, Elena and Hope accompany Donald Dalglish (Wes Bentley) to the town and give Dillon the shock of his life. His dark secret is about to be exposed. Dalglish is a surveyor with the Central Pacific Railroad which wants to build a railroad through Kingdom Come.
On the face of it, The Claim sounds very interesting because it is set just after the California Gold Rush of 1849 and it has all the elements of one of my favourite genres, western, such as romance, gold mining, railroad, and the symbolic frontier town of Kingdom Come that will decide the fate of Michael Henchard’s alter ego in the film.
I plan to see the film and compare it with Hardy’s classic, though, I think, both deserve their own place. Have you seen The Claim?
















