October 15, 2014

Musings on an election Wednesday

I haven’t done a Musings post since July this year, so here goes…

© Prashant C. Trikannad
See the purplish ink mark on my left forefinger? It is proof I voted in today’s election in the West Indian state of Maharashtra, of which Mumbai (Bombay) is the capital. It is one of four states where elections are being held to elect a new party-government that will rule, or mis-rule, my state for the next five years.

Elections to India’s twenty-eight states and half-a-dozen union territories are held every five years depending on when their terms end. Thus, we see electoral jamboree in one or two or more states every year.

We already have a new central (federal) government run by a new prime minister in New Delhi, where the rejuvenated Hindu Nationalist Party, the BJP, toppled the Congress after ten years.

The BJP and the Congress are India’s two major political parties and are the ideological equivalent of America’s Republican and Democratic parties. They are in power in a majority of the twenty-eight states, which are governed by chief ministers who are equivalent of US governors.


Today’s state assembly election in Maharashtra (Great State) saw a keen contest between disparate, and desperate, candidates belonging to the BJP and the Congress, a slew of regional parties, and some well-meaning independents. The BJP is confident of wresting power from the Congress in the state, too. That, however, remains to be seen. A hung verdict is expected which means no absolute majority for any party.

Illustrative picture of an EVM
Over the years, I have become a political cynic. I have faith in the Indian political system, not in Indian politicians. The ‘protest vote’ or ‘none of the above,’ or NOTA as it is popularly known, was conceived for disgruntled voters like me. It ranks at the bottom of the list of aspiring candidates on the electronic voting machine. If I'd my way I would have placed it right at the top and called it 'None of the Below.' Either way I have had no hesitation in using this potent electoral weapon and leaving the polling booth with a triumphant look on my face.

People tell me I’m wasting my vote and that I ought to cast it in favour of a party, at least for the sake of a majority government and political stability. I don’t see it that way. My vote is too precious to be wasted on politicians I no longer trust to govern justly and fairly. Come to my city and you’ll know what I mean.

Let’s talk about something pleasant—books! 

I got carried away by my own recent post about popular fiction by bestselling authors and decided to read one of them—The Way to Dusty Death (1973) by Scottish writer Alistair MacLean. I’m almost halfway through the novel and I can say with conviction that it’s not his best work. I have read better MacLean.

The story is about Johnny Harlow, a legendary Formula 1 racer who crashes his car in the French Grand Prix leading to the death of one of his fellow drivers and seriously injuring his girlfriend. This is the latest in a series of mishaps on the GP circuit. Harlow is no longer a hero. He loses his nerve and sense of balance and takes to alcohol, or it would seem he has. Actually, Harlow is secretly investigating the cause of the accidents including the one that killed his younger brother. I’m racing to the finish line to see how it ends.

While I’m on the popular fiction wagon, I recently purchased a secondhand copy of The Tangent Objective (1976) by Lawrence Sanders. It is the first of two books in the Peter Tangent series that I haven’t read.

The back of the book aroused my interest: “As the corrupt and strife-torn African nation of Asante teeters on the brink of savage revolt, the lives of two men—one white, one black—are caught up in an explosive maelstrom of money, politics, intrigue and violent action.”

The white man is Peter Tangent, a sophisticated and unscrupulous executive of an American oil company who wages war in Asante—and wins.

One of the things I like about bestselling fiction is the opening line. It is usually banal but effective, like this one from the Sanders novel—“Brindleys was a private club. Small enough so that one knew everyone. Large enough so that one didn’t have to speak to them.”

As I conclude this post, a piffling 45 per cent of the electorate in Maharashtra has cast its vote. Looks like I’m not the only political cynic around.

October 11, 2014

Q3 review: books I read in the monsoon months

I’m beginning to hate these quarterly reviews of books and short stories I read and occasionally review because they tell me, and you, just how little I’m reading these days. 

© Candied Crime
As I noted at the end of the first quarter and second quarter, I hope to catch up in the next quarter, which is October-December, and reach a respectable figure of fifty books and short stories each for the whole of 2014. More than fifty would be a bonus for now and an incentive for the future.

But I have doubts as I plan to renew my interest in drawing and painting, my second favourite hobby after reading and writing. Both run on either side of the family and every creative gene must be explored. I also intend to devote some time to philately which I have neglected since graduation. Sitting with one’s stamps collection is time well spent—you learn about places and events.
 

© The Book Place
I’ll let you know how all of that goes in the first week of January 2015, perhaps, with a scan or two of my intended paintings.

Although I’m not happy with the number of books and short fiction I read in the third quarter, July through September, I’m satisfied with the quality of fiction.

I read some very good stories by three of my blog friends, all very seasoned writers—The Man in the Moon, a crime mystery by James Reasoner; Green Acres and Ding Dong Bell The Kitten in the Well, two cosy mysteries by Dorte Hummelshøj Jakobsen; and The Education of a Pulp Writer & Other Stories, noir at its best by David Cranmer. The three covers tell their own story. While there is nothing common in any of them, every one of the stories is a standout. Check them out. 

© Beat to a Pulp
Among the other modern books I read in Q3, I strongly recommend Defending Jacob by William Landay, reviewed, and The Button Man by Mark Pryor, to be reviewed soon.

This is the full list of books and short stories I read, July-September, in no particular order.


Novels and Novellas


The Dark Side of the Island by Jack Higgins, 1963

Defending Jacob by William Landay, 2012

To Kill a Mockingbird by Harper Lee, 1960 — reread

The Man in the Moon by James Reasoner, 1980

The Dunwich Horror by H.P. Lovecraft, 1928

Buck Hawk, Detective by Edward L. Wheeler, 1888

The Loneliness of the Long Distance Runner by Alan Sillitoe, 1959

The Button Man by Mark Pryor, 2014

Sister Carrie by Theodore Dreiser, 1900

The Power of Your Subconscious Mind by Joseph Murphy, 1963 — nonfiction


Short Stories


Comrades by Elizabeth Stuart Phelps, 1911

A Woman on a Roof by Doris Lessing, 1963

The Education of a Pulp Writer & Other Stories by David Cranmer, 2008-2014

The White Fruit of Banaldar by John D. MacDonald, 1951

Green Acres, 2012, and Ding Dong Bell The Kitten in the Well, 2014, by Dorte Hummelshøj Jakobsen

The Adventure of the Dying Detective by Arthur Conan Doyle, 1913

Who Murdered the Vets? by Ernest Hemingway, 1935, and The Suppressed Poems of Ernest Hemingway, 1922-1929

You’ll see that I have reviewed more shorts than novels—they are quicker and less time consuming. And besides, I genuinely enjoy reading short stories and short fiction.

October 09, 2014

Songs I grew up listening to in the seventies

I don’t understand music. I merely derive pleasure from listening to it. I listen to any form of music as long as it sounds like music to me. When I listen to songs, for instance, I don’t know if they are title tracks or sound tracks, who wrote or composed them, which albums they come from and when they were released, or how many people have sung the same song. I don’t bother with all that. It’s like this: if I can simply read a book written by an author, I can quietly listen to a song sung by a singer.

Yet, music touches me like it does most people. It lifts my mood and makes me feel good about myself and about others, and sometimes it allows me to take to the stage and lose myself. In that sense music is a non-intrusive and non-invasive remedy for a cheerful disposition. If meditation is a splendid tonic for the soul, music is a mighty stimulant for the senses. Both have curative powers.


My first brush with music came in the mid-seventies, when we used to listen to English pop songs on Binaca Hit Parade on Radio Ceylon and Saturday Date on All India Radio. Both shows were immensely popular in India.

I believe, in the fifties and sixties, Binaca Hit Parade was presented by the “happy-go-lucky” Greg Roskowski, one of the few “overseas announcers” on the station that was blaring in every household in South Asia. I don’t remember Roskowski.

Later, my father bought us a white-coloured Polish tape recorder for the princely sum of Rs.600 ($10 by today’s rate). The recorder looked a lot like its more famous Japanese cousin National Panasonic. 
It came with a small microphone. There was much excitement at home. We huddled around the recorder and taped nearly every song on Binaca Hit Parade and Saturday Date, and played them over and over again through the week. 

Recording was a tricky business owing to the absence of a cable link between the radio and the tape recorder. All external sounds got recorded as well. At times a song sounded like so much noise, because my father sneezed loudly, a car honked outside or my mother dropped a steel utensil in the kitchen, that we had to overwrite the song. Shushing had little effect.

Fortunately, like today’s cable television, the songs were repeated on radio back then. If we missed George Baker’s Una Paloma Blanca one Saturday night, we were sure to hear it the following weekend.

Those were simple and hassle-free days. We were contented with the little things we had, like Murphy Radio and the pop songs it belted out.

So then, which were some of the popular songs I grew up listening to in the seventies, right through most of school? Let me see…

Almost everything by Abba and Boney M. In my opinion, Abba has some of the best music and lyrics in the pop business. Boney M was preachy although I like their NASA-inspired Night Flight to Venus.

Carpenters: Top of the World, 1972, and Please Mr. Postman, 1975 (remake of The Marvelettes classic)

Tina Charles: Dance Little Lady Dance, 1976

Cliff Richard: Bachelor Boy, 1962

Perry Como: Chi-Baba, Chi-Baba, 1948

Bee Gees: Stayin' Alive and How Deep is Your Love, 1977

Elvis Presley: You Were Always on My Mind, 1972

George Baker: Una Paloma Blanca, 1976

Connie Francis: Stupid Cupid, 1958, and (He's My) Dreamboat, 1961

Mary Hopkin: Those Were the Days, 1972

Neil Diamond: I Am...I Said, 1971

Peter Frampton: Show Me the Way, 1975

Carl Douglas: Kung Fu Fighting, 1974

Neil Sedaka: Oh! Carol, 1958

Jim Reeves: But You Love Me, Daddy, 1959

John Denver: Annie's Song, 1974

Lee Hazlewood-Nancy Sinatra: Summer Wine, 1967

Louis Armstrong: What a Wonderful World, 1967

Lulu: To Sir with Love, 1967

The Mamas & the Papas: California Dreamin', 1965

Pat Boone: April Love, 1957

Simon and Garfunkel: Sound of Silence, 1966

Quantum Jump: The Lone Ranger, 1976

Brothers Four: 500 Miles

Tom Jones: Delilah, 1968

Trini Lopez: If I Had a Hammer, 1963

Village People: Y.M.C.A., 1978

Yvonne Elliman: If I Can't Have You, 1977

The Four Aces: Love is a Many-Splendored Thing, 1955

Gershon Kingsley: Popcorn, 1969

While these are by no means the only picnic songs I listened to as a kid, they are the ones that have stayed with me for more than three decades. I still listen to most of them, particularly Abba, whose popularity soared after the Swedish quartet came together for the film production of Mamma Mia! a few years ago. Every one of these songs hold up.

I'll round up by recommending two whacky numbers, the very funny Kung Fu Fighting by Carl Douglas and the tongue-twisting The Lone Ranger by Quantum Jump, as well as Popcorn, an unusual instrumental by Gershon Kingsley.

October 08, 2014

The Vienna Assignment by Olen Steinhauer, 2005

Last evening, I waited in an autorickshaw queue for about half an hour and while I was still twenty heads away from the starting point, I stepped out of the line and caught a bus home. In-between, I ventured out to my regular bookstore and bought myself a secondhand book and an unhealthy snack. In Bombay, you do crazy things like that. 

© HarperCollins
In the bus, all the seats were occupied, including those reserved for women and senior citizens, so I stood behind the driver and skimmed through my new book—my sixth purchase in the past six months.

The Vienna Assignment, the UK title of 36 Yalta Boulevard by American espionage writer Olen Steinhauer, pulls you right in with the tagline, “To be wrongly accused of murder once is a misfortune. Twice — and it’s a conspiracy.”

The blurb on Book Three of the Yalta Boulevard Sequence convinced me that I’d made a good choice, for it says — “It is the height of the Cold War. When a defector mysteriously returns to the Eastern European village of his birth, it's a chance for disgraced detective Brano Sev to redeem himself. Being framed for a murder should just be part of his cover story. Or is it? Exiled suddenly to Vienna, treacherous city of spies, Sev finds himself caught up in a cat-and-mouse game where survival is the only prize. But in a world where no good deed goes unpunished, loyalty can be the biggest crime of all…”

© HarperCollins
Just my kind of book.

Steinhauer, 44, has also written the bestseller The Tourist, the Milo Weaver Trilogy, and the standalone novel The Cairo Affair. His next release, due 2015, is All the Old Knives which is about terrorism and revenge and is set in California and Vienna.

Rob Kitchin, professor and author, has reviewed the novel on his blog The View from the Blue House.


Col, my good blog friend, reviewed Steinhauer's On the Lisbon Disaster and The Cairo Affair over at his blog Col's Criminal Library. Our mutual blog friend, Tracy, who reviews mystery and espionage books among other fiction at Bitter Tea and Mystery, also reviewed The Cairo Affair and The Tourist. 

Have you read anything by Olen Steinhauer?

October 07, 2014

The Quick and the Dead, 1995

A passable western for Tuesday's Overlooked Films, Audio & Video at Todd Mason’s blog Sweet Freedom.

I don’t like to see a woman gunslinger any more than I like to see a woman smoker. I’m not being sexist. Of course, a woman has a right to carry a gun, as Ellen (Sharon Stone) does in The Quick and the Dead, and she has a right to smoke or roll a cigarette if she wants to. It’s her business. My point is neither looks good when a woman does it. Besides, I associate both violent means with men. Smoking, in my opinion, is violent too: it can kill or do serious harm to the smoker as well as to the one taking the smoke in the face.

This probably explains, in a skewed way, why I didn’t find Stone convincing as a blonde gunfighter in Sam Raimi’s 1995 western—not even when she draws fast, kills first, and kicks butt. I thought she looked lost in a cowgirl's outfit. At one point her character, Ellen, is so distraught and terrified of the gunfights that she saddles her horse and rides furiously out of town, with no intention of returning. It reveals her vulnerable side.

Ellen enters a dusty and depressing town with a secret motive—to avenge the man who “killed” her father, a US marshal, and destroyed her life when she was a little girl (the film is worth watching for the flashback scene). That man is John Herod (Gene Hackman) whose lawlessness is the new law in town. He pretty much owns and runs everything, like he does as Little Bill Daggett, the crooked sheriff, in Clint Eastwood’s Unforgiven (1992).

Herod sets up a gun competition in the town ostensibly to find out who the fastest gun is; when, in fact, his sinister aim is to force his former accomplice, Cort (Russell Crowe), a gunman-turned-preacher, into the contest and put a gun back into his shackled hands. Herod admits Cort is one of the best guns.

The elimination rounds pit the townsmen against each other and turn them into gunmen overnight. The dead pile up which includes the Kid (Leonardo DiCaprio), a young, swashbuckling cowboy killed by Herod, his father.

Herod ensures the penultimate gunfight is between Ellen and Cort. He has no doubt Cort will kill Ellen, thus, setting up the final duel between him and the preacher. But, Ellen and Cort have other plans for their nemesis who suddenly finds himself confronted by the blonde gunslinger consumed by hate and revenge. The look on Herod's face is worth freezing.

While I liked The Quick and the Dead because of Gene Hackman—who is in top five of my list of best actors
—I didn’t care for the film itself. There is no story as such, only a bunch of gunmen, and gun-woman, who take turns shooting and killing each other in cold blood, and that's about all they really do.

October 06, 2014

The Man in the Moon by James Reasoner, 1980

"Are you sure you're not the man in the moon?" Cindy asked.

© www.amazon.com
Children often look elsewhere for familial warmth when their own mom and dad start behaving like monsters. Jackie and his kid sister Cindy, abused by their warring parents, briefly find a father figure in Markham, a private detective from Southern California, who "rescues" them on a deserted state highway in Arizona one night.

The kids had escaped from their father, John Wheeler, who had whisked them away from their mother, Elaine, who has custody. They live in a trailer in Dunes.

Markham takes the children back to their mother in the trailer park where he meets Sheriff Cartwright. Before leaving, the detective gives the kids milk and puts them to bed, exchanges pleasantries with their mother, and a word with the county sheriff.

However, instead of heading back to LA, Markham decides to stay back and investigate. Something about the kids troubles him. Jackie has bruises on his arms, a burn mark on the back of his hand, and a black eye. He doesn't see any marks on Cindy. But he knows she is as traumatised as her brother, just under ten and rebellious. 

© www.philsp.com
While Markham has dealt with conmen and blackmailers, and even unfaithful spouses, he has never handled battered kids. His investigation eventually leads him to a sordid trail littered with forgery, burglary, blackmail, adultery, hate, and murder, involving the kids' father John Wheeler and his father-in-law, Ralph Barrett, a powerful businessman who wants to deal with John on his terms.

If nothing prepared Markham for this case, nothing quite prepared me for the end.

In The Man in the Moon, veteran author James Reasoner handles the subject of abused kids with adroitness and sensitivity. While there is no graphic description, the 10,000-word novella does not lack in suspense and intensity. The story moves at a pace that is both leisurely and feverish. Reasoner doesn't waste his words as evident from the clear plot points and a simple and engaging style. He puts you at ease in spite of the gravity of his story.

What I liked most about The Man in the Moon is Markham staying back because he thinks he has a personal stake in the children's welfare. PIs are often like that when it comes to women and kids who are vulnerable and at the receiving end.

The novella first appeared in Mike Shayne Mystery Magazine of April 1980 and is one of many stories about Markham that I hope to read. I don't know if the private eye has a first, or second, name. It was reprinted in 2013. I acquired my Kindle edition from Amazon.

Recommended.

October 04, 2014

Comrades by Elizabeth Stuart Phelps, 1911

Comrades, by American feminist author Elizabeth Stuart Phelps (1844-1911), is a poignant short story of an ageing and ailing war veteran who agonises over the possibility that he might not be able to don his uniform and walk through the village square to decorate his son, Tommy, on Memorial Day. He has been decorating Tommy ever since the young man died in the Spanish-American War of 1898.

© www.gutenberg.org
The story is set twelve years after the war, in 1910, when veteran Reuben Oak, 81, talks about the impending day with his devoted wife, Patience, many years younger. He used to call her Impatience, sometimes just Imp, before settling for Peter, which came as a relief to her.

Reuben, a carpenter and tobacco planter, and Patience, drowning in her love for her husband, live in a village along the Connecticut valley. They have seen life in all its vicissitudes; the highs and the lows through fifty years of marriage bound by their vows, their ideals, their faith, and their love and respect for each other. Reuben and Patience are a sweet old couple.

Comrades is as much a story about Patience as it is about Reuben and the sacrifices she makes for her husband, including caring for Tommy, “the year-old baby of a year-dead first wife who had made Reuben artistically miserable.” She has a tender and maternal instinct for her husband.

Apart from Patience, the other comrades in the story are Reuben’s fellow veterans, Jabez Trent, in his sixties and the youngest; old Mr. Succor who can’t see; and David Swing on his crutches—the last survivors of the Charles Darlington Post, which, I suspect, was the company they belonged to during the war. Like most veterans, they are proud of the war they fought, and together they wait for Reuben, the oldest of them all, to lead the march on Memorial Day. Although, I'm not sure which war Phelps is referring to. I think it is the Civil War because they would have been too old to fight in the Spanish-American War. I also did not find references to the Charles Darlington Post on the internet, so I'm assuming it is a fictionalised company.

Elizabeth Stuart Phelps
© www.en.wikipedia.org
I liked Comrades for the overall story, the historical touch and the post-war memories, the gentle atmosphere, and Patience’s beautiful character that shines through the narrative. The writing is sublime as evident from just the author’s description of the woman who flows with the tide.

“Patience, in her blue shepherd-plaid gingham dress and white apron, was standing by the window—a handsome woman, a dozen years younger than her husband; her strong face was gentler than most strong faces are—in women; peace and pain, power and subjection, were fused upon her aspect like warring elements reconciled by a mystery. Her hair was not yet entirely white, and her lips were warm and rich. She had a round figure, not overgrown. There were times when she did not look over thirty.”

I look forward to reading Elizabeth Stuart Phelps’ other stories and novels that number more than a dozen. I'm sure they are all as delightful.

Recommended