September 09, 2016

A few eminent Indian writers in English

Whenever someone asks me to recommend good fiction or nonfiction in English, I invariably draw their attention to books written by Western authors. And that’s because my reading of Indian literary works is abysmal. I have read very few writers from my own country known for its rich and diverse literary heritage, including many spellbinding works translated from a dozen languages. There are novels by globally acclaimed writers I should have read long ago. That I haven’t all these years is my loss. Every year I resolve to read Indian writers in English and every year I break that resolution.

Maybe, this chronological list of books by some of the most celebrated desi authors will motivate me to finally give Indian fiction its due. So far I have only read Khushwant Singh, R.K. Narayan, Salman Rushdie, and Rohinton Mistry, though just not these titles. They are all good books and worth reading.


Train to Pakistan by Khushwant Singh, 1956

Khushwant Singh was one of India’s most widely readand also one of its most provocativenovelists, satirists, and journalists.

“In the summer of 1947, when the creation of the state of Pakistan was formally announced, ten million people—Muslims and Hindus and Sikhs—were in flight. By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier.

© India Opines
One of these villages was Mano Majra. It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war.”

Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.”


The Guide by R.K. Narayan, 1958

One of India’s most celebrated authors, R.K. Narayan’s best-known stories are set in the fictional town of Malgudi in South India. The Guide won Narayan the National Prize of the Indian Literary Academy, the country's highest literary honour.

The Guide describes the transformation of the protagonist, Raju, from a tour guide to a spiritual guide and then one of the greatest holy men of India.

“Formerly India's most corrupt tourist guide, Raju—just released from prison—seeks refuge in an abandoned temple. Mistaken for a holy man, he plays the part and succeeds so well that God himself intervenes to put Raju's newfound sanctity to the test.”












Grimus by Salman Rushdie, 1975

Salman Rushdie, whose Midnight’s Children won the Booker Prize and whose The Satanic Verses put a bounty on his head, made his literary debut with Grimus—a fantasy and science fiction novel.

“After drinking an elixir that bestows immortality upon him, a young Indian named Flapping Eagle spends the next seven hundred years sailing the seas with the blessing—and ultimately the burden—of living forever. Eventually, weary of the sameness of life, he journeys to the mountainous Calf Island to regain his mortality. There he meets other immortals obsessed with their own stasis and sets out to scale the island’s peak, from which the mysterious and corrosive Grimus Effect emits.


© Emory College of Arts and Sciences
“Through a series of thrilling quests and encounters, Flapping Eagle comes face-to-face with the island’s creator and unwinds the mysteries of his own humanity. 

“Salman Rushdie’s celebrated debut novel remains as powerful and as haunting as when it was first published more than thirty years ago.”


The Golden Gate by Vikram Seth, 1986

The Golden Gate is the debut novel of novelist and poet Vikram Seth (below). Its uniqueness lies in its narrative form—it is composed in verse, 590 Onegin stanzas. The book was apparently inspired by Charles Johnston's translation of Alexander Pushkin's Eugene Onegin.

“Set in the 1980s in the affluence and sunshine of California's Silicon Valley, The Golden Gate is an exuberant and witty story of twenty-somethings looking for love, pleasure and the meaning of life. It was awarded the 1986 British Airways Commonwealth Poetry Prize.”

© Penguin Books India



















The Shadow Lines by Amitav Ghosh, 1988

Amitav Ghosh (below), who is best-known for historical fiction, has written both fiction and nonfiction of international acclaim. Many of his novels are set around “the Bay of Bengal, the Arabian Sea, the Indian Ocean, and the connections and the cross-connections between these regions.”

“Opening in Calcutta in the 1960s, Amitav Ghosh's radiant second novel, The Shadow Lines, follows two families—one English, one Bengali—as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.

© Amitav Ghosh










  





English, August by Upamanyu Chatterjee, 1988

Upamanyu Chatterjee is an IAS officer whose debut novel English, August: An Indian Story was adapted to film. Its success inspired many low budget independent movies in Indian cinema. Punch described English, August as “a marvelously intelligent and entertaining novel, and especially for anyone curious about modern India.”

“Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself.

English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.”

Such A Long Journey by Rohinton Mistry, 1991

Indian-born Canadian author Rohinton Mistry’s second novel, Such A Long Journey, was shortlisted for the Booker Prize and the Trillium Award. It has won several awards including the Governor General's Award, the Commonwealth Writers Prize for Best Book, the W.H. Smith/Books in Canada First Novel Award, and the Neustadt International Prize for Literature.

“It is Bombay in 1971, the year India went to war over what was to become Bangladesh. A hard-working bank clerk, Gustad Noble is a devoted family man who gradually sees his modest life unravelling. His young daughter falls ill; his promising son defies his father’s ambitions for him. He is the one reasonable voice amidst the ongoing dramas of his neighbours.

“One day, he receives a letter from an old friend, asking him to help in what at first seems like an heroic mission. But he soon finds himself unwittingly drawn into a dangerous network of deception. Compassionate, and rich in details of character and place, this unforgettable novel charts the journey of a moral heart in a turbulent world of change.

A River Sutra by Gita Mehta, 1993

Gita Mehta, who comes from a political family, is a well-known writer, journalist, and documentary filmmaker. She was a television war correspondent for NBC. Her first book, Karma Cola, 1979, is about thousands of Westerners who came to India in the 1960s and 1970s to rediscover “the magic and mystery missing from their lives.”

A River Sutra is an enchanting collection of vignettes tells the story of a retired bureaucrat who has escaped the world to spend his twilight years running a guest house on the banks of the country’s holiest river, the Narmada. But he has chosen the wrong place for peace and quiet: too many lives converge here and he meets a series of unusual characters including a privileged young executive bewitched by a mysterious lover; a novice Jain monk moving from opulence to poverty; and a woman with a golden voice and a broken heart. As the bureaucrat moves from story to story, he ponders the meaning of each tale and the dark secrets which the river hides within its waters.

© Penguin Books India

August 31, 2016

Sarah Ward's ‘A Deadly Thaw’ out in ebook

UK-based author and blogger Sarah Ward has announced that her second novel A Deadly Thaw is out in ebook.

© Sarah Ward
A Deadly Thaw, the follow-up to In Bitter Chill, "sees the return of DI Francis Sadler and DC Connie Childs but has a new protagonist, Kat, who sets out to discover why her sister lied about the identity of the man she killed."

The synopsis of the 384-page Kindle edition published by Faber & Faber says the following:



Every secret has consequences.

Autumn 2004: In Bampton, Derbyshire, Lena Fisher is arrested for suffocating her husband, Andrew.

Spring 2016: A year after Lena's release from prison, Andrew is found dead in a disused mortuary.

Who was the man Lena killed twelve years ago, and who committed the second murder? When Lena disappears, her sister, Kat, sets out to follow a trail of clues delivered by a mysterious teenage boy. Kat must uncover the truth - before there's another death...


"Gives the Scandi authors a run for their money," Icelandic crime writer Yrsa Sigurðardóttir said in praise of the author and her new book.

On December 20, 2015, I reviewed In Bitter Chill and interviewed Sarah Ward, who reviews books at her blog, Crimepieces, and is a judge for the UK-based Petrona Award. She lives in Derbyshire, England, the setting of both of her novels.


The 3Cs wishes Sarah good luck and success.

August 27, 2016

The Laws of the Spirit World by Khorshed Bhavnagri, 2009

In Ghost, Sam (Patrick Swayze) is killed by a thief in an alley, leaving his girlfriend Molly (Demi Moore) shattered. It is no ordinary street mugging. Sam comes back as a spirit to warn Molly that her life is in danger. But since he cannot be seen or heard, he takes the help of a reluctant psychic, Oda Mae Brown (Whoopi Goldberg), to communicate with Molly and save her from his crooked friend and mastermind Carl Bruner (Tony Goldwyn).

The film was a big hit because of the unusual storyline and the romantic poetry of Swayze and Moore and, I suspect, its underlying theme—afterlife—and the mystery surrounding it.

Everyone at some point or another wonders—is there life after death? If yes, then what is it like? So far a credible answer has been as elusive as the possibility of life in space. It has even eluded mystics who, for want of a better response, instruct us to keep our faith and not question the here and hereafter.


In The Laws of the Spirit World (2009), Khorshed Bhavnagri takes the reader through her painful quest to find the answer that eventually helps her turn her personal tragedy into an endearing spiritual journey—and come to terms with the death of her loved ones. Along the way she rediscovers peace, solace, and more.

Khorshed’s small world and her faith in God came crashing down when her two motorsport-loving sons, Vispi, 31, and Ratoo, 30, died in a car accident one winter’s day in December 1980. It was all but the end of the world for her and her husband, Rumi Bhavnagri, who lived in Byculla in central Bombay (now Mumbai). 


“I had been very religious. Now, for the first time, I began to question whether there was a God. If there was a God then why should He do this terrible thing to me, snatch my sons away when I have never harmed a hair on anyone’s head? I was ready to give up God, religion and life,” the distraught mother said.

Khorshed Bhavnagri
A few days after the funeral, a chance encounter with a powerful medium changed their lives once again—only this time for the better and for the spiritual benefit of scores of other sufferers. The Bhavnagris provided guidance and comfort to both young and old, and offered counsel to troubled people. Questions about personal and spiritual matters were addressed and minds set at ease. These are reproduced in the second part of the book.

The psychic held seances to help Khorshed and Rumi “communicate” with their sons in the spirit world. They did so first by automatic writing and then via telepathy. “You must not cry for us or miss us, we are much happier here,” Vispi and Ratoo told their parents who, guided by the boys, set out on their noble mission of spiritual awakening. The devout couple were inspired by the life and teachings of spiritual messiahs.

The 380-page book, published by Mumbai's Jaico Publishing House, is the true and affecting story of grief-stricken parents and their desperate search for the meaning of existence, the realms of life and death, the power of the subconscious mind, and concepts of good and evil and heaven and hell. It is borne out of their sons’ desire to explain the laws of the spirit world to the mortal world.

The Laws of the Spirit World is not out of my comfort zone. Since I have been reading spiritual books from my early teens, the book resonated with me. But there is plenty of food for thought even for those not inclined to the metaphysical. What is required is an open mind and the willingness to accept concepts beyond one’s deep-rooted beliefs and principles. It offers a refreshing perspective on various aspects of life and death, and it is up to readers to accept or reject them. For example, readers who don’t believe in the afterlife and the mediums and seances associated with it can still take away valuable tips the author offers on how people, as individuals or families, can lead a happy and contented life. Isn’t that the purpose of every beautiful life?

The writing is simple and lucid and set in broad typeface that makes the book aesthetically appealing.

Rumi and Khorshed Bhavnagri passed away in 1996 and 2007, respectively, and as they would've, no doubt, liked everyone to know, “happily reunited with their sons in the spirit world.”


A few reviews from Amazon

“The book has changed my life, and I am sure it will change yours too.”
 
— Shiamak Davar, noted Indian choreographer and follower of Khorshed Bhavnagri

“An excellent read. Changes one's perspective towards life. A book for believers in God, Karma and reincarnation. Death, the imminent event in everyone's life, is mostly an enigma. This book enables the reader to strike peace with death and solve that mystery i.e. death is nothing but a foray into eternal life.”
— Radha

 
“For one who has read Indian philosophy, and works (of) Dr. Brian Weiss etc., I find that this book reinforces the same universal message. It takes faith to believe in the spirit world but the message is universal—we need to connect with our inner selves and everyone around us is a noble person living out his/her 'spirit'ual goal.”
— J. Mallaparajuon

August 07, 2016

Preview: The Ghost Squad by John Gosling, 1959

Being a member of the Ghost Squad was a lonely job.

Cover of my hardback first edition.
There are books read and reviewed. And then there are books unread and written about. Because you can’t wait to tell your readers about it. The Ghost Squad by John Gosling, a former police officer with Scotland Yard, is the kind of book you feel unusually excited and compelled to write about as soon as you buy it. I’m doing so after reading only the first chapter.

You see it at a book exhibition and you grab it and you run out and down the stairs waving it in the air.

“Hey, look what I got! I bet you don’t have it. I bet you haven’t even heard of the book and its author.”


Pardon my exaggerated reaction to this book. But how else do you react to the discovery of a 1950’s hardback first edition of a forgotten nonfiction that tells the story of the Ghost Squad, a secret operation undertaken by Scotland Yard to flush out London’s underworld?

Reconstruction of a chapter episode.
This actually happened. Gosling was Detective Sergeant when the Yard chose him as one of the four phantom detectives on the Ghost Squad, which began work on January 1, 1946. This is his story told in first person.

And this is what the front inside of my pictorial book jacket says:


“(Gosling) was one of the four top C.I.D. men chosen from London’s 1,200 detectives to be enrolled into the Ghost Squad, and he remained with it throughout the four years it was operational. In that time more than 1,000 men and women were arrested and over half a million pounds worth of stolen property was recovered. But none of the phantom detectives responsible for this clean-up of London’s underworld were appeared in court nor were their identities ever disclosed. The Ghost Squad worked undercover to catch the biggest crooks in London who were too clever to be caught by orthodox methods.

“It was a battle of wits between the “ghosts” and the criminals; cunning was matched against cunning and the stealthy encroachment of the “unseen force” into the deepest haunts of crime struck terror among the master-minds of the underworld.”

The four-year long secret operation was a success. John Gosling retired in 1956 with the rank of Detective Superintendent.

The book inspired the crime drama series, Ghost Squad (also known as G.S.5), which ran on ATV between 1961 and 1964.

Now on to chapter two of The Ghost Squad, which Gosling thought was
a revolutionary idea at the time because, among other things, “Crooks are our enemies and the best of them will try to outwit you. If you don't learn how to handle a crook he'll soon learn to hand you—and then the tail is wagging the dog.

August 01, 2016

The Intern, 2015

My password to Tuesday's Overlooked Films, Audio & Video over at Todd Mason’s blog Sweet Freedom.

Robert De Niro is 72, robust, and still making films. Sometimes four to six flicks a year. The Raging Bull star is probably the busiest actor of his era. He made 24 of his hundred-odd films only in the past six years. I have seen less than half of the total. So I'm no authority on his body of work.

The Scorsese veteran plays a widower in at least five of his recent films, including Nancy Meyers' The Intern (2015). As I watched the family drama on cable TV Sunday evening, I recalled an article I'd read in The Independent on why De Niro making bad films was wildly depressing
.

Is it because there are no constructive roles for actors of his calibre and generation? Is he doing it for the money? I'm inclined to go with lack of suitably challenging roles rather than a love for the green bucks. I'm sure he has made enough. But who doesn't want more? 

Illeana Douglas, who worked with the actor on Goodfellas, Cape Fear and Guilty by Suspicion, had this to say in the UK paper: "They talk about De Niro walking through roles, just collecting the money, and I do think that’s true. I’ve heard from financiers that if you have the money De Niro will be in anything, and that he seems to just have checked out, that he knows in a way the gig is up and he’s just getting to the finish line, but I'm not sure if that’s true concerning his performances in Silver Linings Playbook for example, and even in something as benign as The Intern he brings a strange kind of authorial presence to a very lightweight movie."


I can't say if De Niro is making bad films considering that he has appeared in serious dramas, too, in recent years. Action thrillers like Stone, Killing Season, and Heist, which may not match his previously more enduring films. But I quite liked him in The Intern as opposed to his other widower-movies, Dirty Grandpa, Last Vegas, and Everybody's Fine. I have not seen Being Flynn yet.

The Intern is a lighthearted and lazy-Sunday flick in which his character Ben Whittaker, experienced, retired and 70 years, works as an intern in a Brooklyn-based e-commerce fashion startup owned by its hands-on founder and chief executive Jules Ostin (Anne Hathaway). Ben endears himself to his much younger colleagues, always willing to lend a hand, even break the law, and helps Jules cope with office pressures and repair her marriage. Jules learns to respect and value Ben’s trust and friendship, and the two bond like father and daughter. This is their film only.

De Niro is charming in a role that
“suits” him well, perhaps because he looks the part of an elderly, kind and affable gentleman and because he doesn’t say much in the film. Along the way he meets Fiona (Rene Russo), a masseuse, and rediscovers love and companionship. And you’re glad he does.

The Intern is a nice film about friendship, love and relationship. There is nothing "wildly depressing" about it. De Niro gets the film out of the way with the flick of his wrist.