Showing posts with label Tributes. Show all posts
Showing posts with label Tributes. Show all posts

October 18, 2016

Witty acceptance speeches by British actors

A peek at some Witty acceptance speeches by British actors for Tuesday’s Overlooked Films, Audio and Video over at Todd Mason’s blog Sweet Freedom.

When Peter O'Toole walked on to the stage to receive a well-deserved Honorary Oscar from Meryl Streep in 2003, there must have been an air of expectation among his celebrity audience who were probably eager to hear his rich and distinctive voice, and laugh at his wit and intelligent humour. It was a short speech but I'm sure he didn't disappoint them.

After greeting Streep and accepting the Academy Award from her, Peter O'Toole said after the extended standing ovation, and I quote him verbatim:

“Meryl Streep, members of the Academy, distinguished guests, viewers, ladies and gentlemen. Always a bridesmaid, never a bride—my foot! I have my very own Oscar now to be with me till death us do part.

“I wish the Academy to know that I am as delighted as I am honoured. And I am honoured. The magic of the movies enraptured me when I was a child. As I totter into antiquity, movie magic enraptures me still. Having already bagged this baby, as it were, and so spared uncertainties prior to the opening of an envelope, I'm able to think. I think of our colleagues, our old friends, now gone, who played their parts in this ceremony. I think of the sumptuous talents alive and well and with us now. I think of the astonishing young, the gifted and able young men and women who I meet practically every time I go to work and from whom I grab energy in handfuls. I think of the United States and of the loves and friendships I've known here for more than half a century, and of how much the nation has given to me both personally, privately and professionally. And I am deeply thankful. And now, at this last, you have given me this delightful shock. You're very good. Good night and God bless you.”


Years later, when I watched that Oscar night on YouTube, I marvelled at the renowned British-Irish actor's choice of words which evoked instant mental imagery and laughter. At one point, when O'Toole said, “As I totter into antiquity, movie magic enraptures me still,” his compatriot Michael Caine laughed out loud, and I couldn't help laughing with him.

It was a good acceptance speech, the kind of speech whose lines you remembered long after they were delivered.


Over the years and until his passing in December 2013, Peter O'Toole was no less hilarious in his television interviews. He once rode in on a camel on David Letterman's The Late Show, reprising his famous role in Lawrence of Arabia, and proceeded to regale viewers and spectators with his disarming charm and humour. Except, he wore a suit and smoked a cigarette through a holder.

O'Toole comes from an impressive roster of British actors who are as witty in real life as they often are on screen—actors like Michael Caine, Hugh Laurie, Daniel Day-Lewis, Julie Walters, Colin Firth, Emma Thompson, Stephen Fry, Maggie Smith, John Cleese, Kate Winslet, Rowan Atkinson and Jim Broadbent, who deliver their lines with deadpan humour, be it in a speech or an interview.

In 1998, Caine had the audience in splits when he won the Golden Globe for Best Actor–Musical or Comedy for Little Voice, 1998. He opened his speech with this gem—“Oh, what a shock. My career must be slipping. This is the first time I've been available to pick up an award,” as if the awards were there for the asking. The rest of his speech was peppered with funny lines, which included the confession that he didn't work a lot without producer Harvey Weinstein. The Miramax co-founder was beside himself with laughter.

Colin Firth showed his funny side when he took home the Oscar for Best Actor for his role in The King’s Speech, 2011.

He said, “I have a feeling my career has just peaked. My deepest thanks to the Academy. I'm afraid I have to warn you that I'm experiencing stirrings. Somewhere in the upper abdominals which are threatening to form themselves into dance moves. Joyous as they may be for me, it would be extremely problematic if they make it to my legs before I get off stage.” Firth remained impassive throughout his speech which made his appearance that much more hilarious. Don't they feel like laughing too? They are, of course. masters of their craft and I suppose they can hide their emotions. Or, maybe, they don't mean to be as funny as we think they are.

I watch award shows like the Oscars, Golden Globe, American Film Institute, Emmy, and the Mark Twain Prize for American Humor only for the acceptance speeches, in the hope that some of the winners will make me laugh with their wit and wisecracks, and liven up my day just a bit.

August 27, 2016

The Laws of the Spirit World by Khorshed Bhavnagri, 2009

In Ghost, Sam (Patrick Swayze) is killed by a thief in an alley, leaving his girlfriend Molly (Demi Moore) shattered. It is no ordinary street mugging. Sam comes back as a spirit to warn Molly that her life is in danger. But since he cannot be seen or heard, he takes the help of a reluctant psychic, Oda Mae Brown (Whoopi Goldberg), to communicate with Molly and save her from his crooked friend and mastermind Carl Bruner (Tony Goldwyn).

The film was a big hit because of the unusual storyline and the romantic poetry of Swayze and Moore and, I suspect, its underlying theme—afterlife—and the mystery surrounding it.

Everyone at some point or another wonders—is there life after death? If yes, then what is it like? So far a credible answer has been as elusive as the possibility of life in space. It has even eluded mystics who, for want of a better response, instruct us to keep our faith and not question the here and hereafter.


In The Laws of the Spirit World (2009), Khorshed Bhavnagri takes the reader through her painful quest to find the answer that eventually helps her turn her personal tragedy into an endearing spiritual journey—and come to terms with the death of her loved ones. Along the way she rediscovers peace, solace, and more.

Khorshed’s small world and her faith in God came crashing down when her two motorsport-loving sons, Vispi, 31, and Ratoo, 30, died in a car accident one winter’s day in December 1980. It was all but the end of the world for her and her husband, Rumi Bhavnagri, who lived in Byculla in central Bombay (now Mumbai). 


“I had been very religious. Now, for the first time, I began to question whether there was a God. If there was a God then why should He do this terrible thing to me, snatch my sons away when I have never harmed a hair on anyone’s head? I was ready to give up God, religion and life,” the distraught mother said.

Khorshed Bhavnagri
A few days after the funeral, a chance encounter with a powerful medium changed their lives once again—only this time for the better and for the spiritual benefit of scores of other sufferers. The Bhavnagris provided guidance and comfort to both young and old, and offered counsel to troubled people. Questions about personal and spiritual matters were addressed and minds set at ease. These are reproduced in the second part of the book.

The psychic held seances to help Khorshed and Rumi “communicate” with their sons in the spirit world. They did so first by automatic writing and then via telepathy. “You must not cry for us or miss us, we are much happier here,” Vispi and Ratoo told their parents who, guided by the boys, set out on their noble mission of spiritual awakening. The devout couple were inspired by the life and teachings of spiritual messiahs.

The 380-page book, published by Mumbai's Jaico Publishing House, is the true and affecting story of grief-stricken parents and their desperate search for the meaning of existence, the realms of life and death, the power of the subconscious mind, and concepts of good and evil and heaven and hell. It is borne out of their sons’ desire to explain the laws of the spirit world to the mortal world.

The Laws of the Spirit World is not out of my comfort zone. Since I have been reading spiritual books from my early teens, the book resonated with me. But there is plenty of food for thought even for those not inclined to the metaphysical. What is required is an open mind and the willingness to accept concepts beyond one’s deep-rooted beliefs and principles. It offers a refreshing perspective on various aspects of life and death, and it is up to readers to accept or reject them. For example, readers who don’t believe in the afterlife and the mediums and seances associated with it can still take away valuable tips the author offers on how people, as individuals or families, can lead a happy and contented life. Isn’t that the purpose of every beautiful life?

The writing is simple and lucid and set in broad typeface that makes the book aesthetically appealing.

Rumi and Khorshed Bhavnagri passed away in 1996 and 2007, respectively, and as they would've, no doubt, liked everyone to know, “happily reunited with their sons in the spirit world.”


A few reviews from Amazon

“The book has changed my life, and I am sure it will change yours too.”
 
— Shiamak Davar, noted Indian choreographer and follower of Khorshed Bhavnagri

“An excellent read. Changes one's perspective towards life. A book for believers in God, Karma and reincarnation. Death, the imminent event in everyone's life, is mostly an enigma. This book enables the reader to strike peace with death and solve that mystery i.e. death is nothing but a foray into eternal life.”
— Radha

 
“For one who has read Indian philosophy, and works (of) Dr. Brian Weiss etc., I find that this book reinforces the same universal message. It takes faith to believe in the spirit world but the message is universal—we need to connect with our inner selves and everyone around us is a noble person living out his/her 'spirit'ual goal.”
— J. Mallaparajuon

August 25, 2014

Rest in Peace: Richard Attenborough

The actor’s director
August 29, 1923-August 24, 2014
I didn't know Richard Attenborough through his films as well as I knew him from reading about his films. I could relate to him as an actor, director, and producer of a little over a hundred films. I have, of course, seen less than ten that include The Great Escape, Miracle on 34th Street, and Jurassic Park in the three categories.

He was mostly an actor who catapulted into the limelight in India with Gandhi, his epic directorial venture. Suddenly, Attenborough was a household name, as was the man he cast in the Mahatma's slippers, Ben Kingsley, who by a coincidence happened to be half-Indian; he was born Krishna Pandit Bhanji, in England. Attenborough could not have chosen a more suitable actor to play Mohandas Karamchand Gandhi. Even today, for many in India Kingsley is still Gandhi.

When Gandhi won eight Academy Awards, an entire nation rejoiced as if the film was made by an Indian. The only thing Indian about Gandhi was its frail and sparsely-clad subject. The award-winning Slumdog Millionaire by Danny Boyle evoked a similar response, though on a much smaller scale. Still, we felt a kinship with both the films, especially Gandhi as it was about a historically important period of time and because it had several noted Indian character actors.


Attenborough (left) directs Kingsley in Gandhi
© Frank Connor/www.bafta.org

Richard Attenborough brought to life the larger-than-life persona of Mahatma Gandhi, more than scores of books and comic-books and audio and video documentaries ever had until 1982.

I think one of the primary reasons why Gandhi became a phenomenal success in India was because Attenborough did not deviate from the real-life script of the Mahatma’s life, his trials and tribulations, the freedom struggle, the partition of India into India and Pakistan, independence in 1947, and his assassination.
 Everything was as we'd learned about him since school. In fact, as the film rolled we could anticipate certain events that occurred during the freedom movement; like the Jallianwala Bagh massacre in Punjab, in April 1919, when General Dyer ordered his men to open fire directly on a crowd of peaceful protesters. Over a thousand men and women died; scores of others jumped into the garden's wells to escape the bullets and were killed. It remains one of the bleakest periods and Dyer the most hated man in Indian history. 

Gandhi is one of my all-time favourite movies and I see it at least once a year when, in a spirit of patriotism, it is telecast on India's republic day, January 26, and on her independence day, August 15—a memorable tribute to a great man and to the human spirit. In India, at least, Richard Attenborough sealed his fame with that epochal film.