Musings on a fourth Thursday

I'm going to be awfully busy over the next ten days as I rush to “close” the anniversary edition of my fortnightly tabloid-size newspaper which completed thirteen years in May. In my case and probably in the case of every other journalist on the news desk in India, the term “closing” is associated with sending a paper or magazine to print which means writing and editing stories, overseeing production, and meeting deadlines. It has become a sort of a joke in the family. If someone invites me over for a function around the due date of my paper, the word out is, “Oh no, he can’t make it. He has his closing this week” which is met with the predictable response “Not again!” I'm secretly happy, for genuine as the reason is, it has allowed me to skip many a social gathering.

The immediate casualty of my workload is a Forgotten Books review over at Patti Abbott’s blog, Friday, and a second quarter roundup of books and short stories I read during April to June. The summary will have to wait until next weekend.

These days I’m reading more books, watching more films, and reviewing less, because I’m afflicted with what I’d like to call review fatigue.

I finished reading three nice books recently—Stallion Gate by Martin Cruz Smith and The Hell Raisers (or Saddle Pals) by Lee Floren—both of which I started over a month ago, and The Imperfectionists by Tom Rachman. I’m undecided on which of these to review; most likely it’ll be the first-edition western paperback by Lee Floren. It has a couple of unusual cowboy characters who get involved in a range war between simple farmers and a devious cattleman in Wyoming, and some interesting elements with regard to life in the plains and the badlands.

NetGalley has sent me Rachman’s The Rise & Fall of Great Powers which I intend to read and review in July.

The six western movies I saw and wrote about in the third week of this month have had a few more companions since, in the form of The Avengers, The Towering Inferno, and The Dirty Dozen.

I’d forgotten that Fred Astaire had a part in The Towering Inferno, his last major picture, I think, or that O.J. Simpson played a young security officer in the ill-fated building. It was one of many disaster movies to come out of the seventies alongside The Poseidon Adventure, Earthquake, Hurricane, Avalanche, and the Airport series.

I'm now looking for The Cassandra Crossing, Black Sunday, Rollercoaster, and Damnation Alley.

As you can see I have a predilection for blockbusters with lots of famous actors commonly seen in war, western, action, and disaster flicks.

The death of Eli Wallach, June 24, had me watching The Magnificent Seven and The Good, the Bad and the Ugly all over again, and each time it seems like the first time.

There are a lot of memorable scenes in both the films and many of those involve Wallach. The Magnificent Seven opens with a fine musical score by Elmer Bernstein which plays in the background as Calvera (Eli Wallach) and his bandits ride into the farming village. In fact, the orchestral score plays throughout in the background. In the Sergio Leone classic, his ‘Ugly’ character, Tuco, is transformed into an ecstatic ten-year old as he runs circles around the gravestones literally in step with Ennio Morricone’s lilting score that has become a popular mobile ringtone.

How would you rate his performance in the two movies where he is said to have overshadowed both Yul Brynner and Clint Eastwood and the others? I don’t think he stole the limelight from Brynner, Buchholz and company as much as he did from Eastwood and Lee Van Cleef in their respective films.

I’ll end this post by recommending one of Eli Wallach’s last films, The Holiday (2006), a nice little romantic comedy. Born in the second year of World War I, Wallach was 91 when he made this film. How is that for a perspective?

Musings on a fifth Thursday

I’m trying to take my writing beyond newspaper reports and blog posts. I’m working on a collection of short stories set in my city. The stories are in the making and I’m still playing around with a few ideas one of which includes an Indian version of an American cowboy, a gunslinger or a marshal, on horseback and in full western gear. He’ll carry six-guns and he'll be fast on the draw. I don't know if I can lasso the character, the story, and the setting the way I imagine but there’s no harm in trying. I want each of the stories to be as outlandish as possible.

I'm also working on a book on self-help that has a huge market in India. Everyone seems to be writing one these days. The problem with writing self-help is that you tend to get preachy and the last thing I want to produce is another cure for insomnia. I'm rewriting the three chapters I've written so far and I’m fighting to keep my eyes open. I'm thinking of consulting other self-help books.

Four decades ago, my late father wrote nearly a dozen short stories, mostly family dramas. He was a fine journalist and a gifted writer. I envied him his language but I was also proud of it. He wrote them with a fountain pen in long hand and typed them out neatly on foolscap paper, on his dull blue Smith Corona typewriter (not the one in the picture). I'd been sitting on this little treasure of tattered and yellowed pages all this while. A couple of months ago, a dim bulb lit up over my head and I decided to transfer them onto the computer, and try and publish them as a book or an ebook. I owe it to him.

I've also been writing something else off the top of my head. I think it could turn into some kind of a story, maybe flash fiction. It begins like this…

I woke up Tuesday morning and finally cleared my bowels. What a relief it was. It’s not the best opening, pun or no pun, but it’s certainly the best way to start the day. I rejoiced in that single act of self-gratification. It beats Christmas morning. If only my ritual the previous day had been as productive, I'd have top-scored at the interview. I was squirming in my seat and my inquisitors, a grim-faced restaurant manager and a mean-looking head chef, took my discomfort for a nervous attack. They looked at each other and telepathised, “This guy is shitting in his pants.” I wish. They said they'd call me before sundown. They never did. That was yesterday.

A paragraph somewhere in the middle of the story goes like this…

I took a bus that dropped me outside the restaurant. I stood there and looked at the place. I didn’t like it. It looked shady and it smelled of vice. It was a bar and restaurant and not the other way around, which meant nice families didn’t go in; only inconsiderate men did, the kind who drank and gambled and thought they deserved a break from their wives and mistresses four times a week. The food was an inducement to drink more booze and blow up more money, and then take an advance on next month’s pay.

By the time I reached 900-odd words, I was in my element…

As we neared the door it was opened by Quasimodo’s twin. We entered the room and the door banged shut behind us. I wheeled around and saw the hunchback in front of the door, his broad twisted frame blocking my escape, a hideous grin pasted on his freaky face. I was trapped and I was very afraid. My mind pressed a dozen panic buttons. I was going to be framed for a crime and spend the rest of my life in prison. Worse, I was going to be sodomised, tortured, and murdered. 

I have no idea where this is going, if it is in fact going anywhere at all.

Musings on May Day

Today is May 1, a public holiday, in celebration of May Day, Labour Day or International Workers’ Day. It has a special significance for India and especially for the western state of Maharashtra of which Mumbai (then Bombay) is the capital. On this day, in 1960, a little over a hundred people sacrificed their lives during protests for the formation of a separate Marathi-speaking state of Maharashtra with Mumbai as its capital. Marathi is the official language of the state and one of the twenty-three official languages of India. For this reason May 1 is also celebrated as Maharashtra Day. “Maha” means great, “Rashtra” means “nation” or “land,” hence great nation.

The formation of the state was part of the reorganisation of states under Nehru, independent India’s first prime minister after the British left. Maharashtra is the second most populous and third largest state as well as the richest, a distinction it owes to Mumbai which is the financial, industrial, commercial, and entertainment capital of the country. The city of everyone’s dreams, and not a few nightmares, pays maximum taxes to the central, or federal, government. In return for its generosity, Mumbai gets back very little, as evident from its poor infrastructure. But things have been improving, gradually, since the turn of the century. We have a new cable-stay sea bridge linking the old city and the suburbs—our very own Golden Gate, the country’s first monorail system, and a four-line metro rail of which Line 1 has been in the making for a few years now. It cuts right through my suburb. I won't be taking it as my commute to and from work is perpendicular.

I was born in Bombay and live in Mumbai, which is the same thing, and I thought I should tell you something about my city.

Meanwhile, this and next week I've lined up a few reviews of books and short stories I finished reading by April 30. Immediately coming up is a review of a vintage mystery, a short fiction, for forgotten books at Patti’s blog, Friday. I hope I do justice to it as I couldn't get used to the lingo spoken by one of the characters.

Posting from home has become a bit of a problem since I got rid of our desktop PC a couple of years ago. I’m not comfortable with a laptop. I can use it to surf and read, download books, comment on blogs, check emails, book tickets, and that sort of thing. What I can’t do as well as I can on a regular computer is type out a lengthy post or an article with two fingers (as I do) and scroll (with my forefinger). I still need the keyboard and mouse. So now I keep the laptop a little distance away, the keyboard right in front of me, and the mouse on my right—the desktop-laptop has made things easier.